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Integration of jazz elements in my compositional work
Horká, Kateřina ; FILAS, Juraj (advisor) ; Tóth, Miroslav (referee)
Abstract
This Bachelor thesis is focused on the integration of jazz elements in my classical music compositions. For the whole 20th century, the combination of jazz and classical music was a subject of discussions in a musical society. From the origins of jazz, some compositions were combined and subsequently influenced by classical music. This approach still remains in a certain group of composers to this day.
The first movement is represented by the composers of the early 20th century, including French Impressionists e.g. Maurice Ravel, Les Six - Darius Milhaud, Francis Poulenc and Arthur Honneger. We should not forget to mention Igor Stravinskij. In our land, these trends can be found in works of Bohuslav Martinů, Erwin Schulhof and especially in works of Jaroslav Ježek.
The second movement of these trends began in the 60s and it was called "The Third stream". In our country it is represented by Alexej Fried, Pavel Blatný, Milan Svoboda and others. The idea of synthesis of jazz and classical music is still current to this day, many composers consider it their compositional basis.
Over the course of the 20th century there was a great style diversification in a popular music and so over the time the synthesis of other styles with classical music appeared. It is a very broad topic. That is the reason why I would like to focus on my compositional work influenced by jazz.
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